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That’s the paradox of success and failure. Try to locate one of those 22 guitars, you’ll have a hard time prying them away from similarly afflicted guitar enthusiasts. Nonetheless, I cling to the contention that these odd ducks are exceptionally cool. Like the awkward Edsel, my MC2 was deemed a failure. Without me to cheer the project on, the reluctant prototype was shipped off to the trade show where a meager 22 orders were taken. Mustering my unbridled passion, I managed to convince the skeptical group to proceed with plans for a limited edition model. A few weeks later, the sales staff called me into a high level pow-wow and I was put on the spot to explain and justify my double cutaway. no, make that two cutaways C2 –MC2– Einsteinian and brilliant! Completing the body in an M mold, I rushed over to the main plant to show the idea around, but no one really appreciated the elegance of the idea the way I did. “M” for the prefix or size, “C” for the cutaway. What a bold and elegant idea a double cutaway guitar would be! I trimmed a dovetail block and glued the sides into an odd body shape. As I stood holding those sides, it struck me. This coincidence left me with two opposing cutaway sides.
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Several months later, I was working on a left-handed cutaway kit and the same crack occurred on the non-cutaway side. MC Squared While making up a right-handed M-sized cutaway kit one day at Woodworker’s Dream, I discovered that the non-cutaway side was cracked, rendering the cutaway side mismatched and useless. The process of conceptualizing instruments on paper and commissioning the experts to do the work set the stage for what would become my real value and contribution to Martin. Each was an attempt to stretch the boundaries of what a guitar could or should be. Many more guitars followed through the Martin Custom Shop. It was Martin’s first official Custom guitar – a detail for which I am most proud. The most significant aspect of the guitar was its serial number. It was a D-41 with a D-45 neck upgraded from utilitarian Grover tuners to the more prestigious gold Schallers with vintage-toned top lacquer and a Barcus Berry under-the-saddle pickup. These were used on Sigma - Martins back in 19. Does not include serial numbers 900001 to 902908.
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The last serial number produced each year is listed to the right of that Martin production year. Rarely a year went by that I didn’t take advantage of my employee guitar purchase privilege and in 1979, after a year of arguably obnoxious prodding, Martin agreed to build me what in hindsight was a rather plain customization. Find out when your Martin Guitar was built using our easy to use Martin Guitar Serial Number chart. 10018 A welcome addition to the Standard Series, the new 0-18 has a scallop-braced Sitka spruce top with mahogany back and sides that serve as the foundation for this concert sized model. Experiencing the challenges and frustrations of building increased my respect for Martin’s underlying ability to garner an assembly line of hand craftsmanship. Custom 01 – Serial #410400 The instruments that I was building personally in my home workshop were often more sculptural than practical, but valuable to me nonetheless.